A View of the Harbour


The loneliness which seeps through Elizabeth Taylor’s A View of the Harbour like damp sea air may not be as ingrained as that to be found in the novels of Jean Rhys – these, are after all, people with appearances to keep up – but it would be fair to say that few characters in the novel experience much in the way of happiness. The friendship at its centre, between old school friends Beth and Tory, is built upon a betrayal; its other characters live in the desperate isolation best exemplified by Mrs Bracey, unable to leave her house and living only through what she sees and hears of others:

“Bored, she was, frustrated; not only her body but her mind, her great, ranging, wilful imagination… the brilliance, the gossip had gone from life.”

She complains that her daughter, Iris, who works at the local pub, the Anchor, “don’t give a crumb of it away. Thinks I’m being nosey.” Iris, meanwhile, is dreaming of a better life: “in her mind Laurence Olivier kept opening the saloon door and coming into the bar.” In the Anchor the running joke is the landlord’s assertion that, “It’s been quiet to-night,” every night.


Mrs Bracey and Iris are typical of the novel’s characters, lives on hold, watching out for a better future like a ship on the horizon, in a town which has all but closed down:

“The Waxworks exhibition looked sealed, windows covered with grey lace; next door the second-hand clothes shop was having a lick of paint; the first coat, salmon pink, framed the display of dejected, hanging frocks; shutters covered the Fun Fair…”

(Even the lick of paint feels like a cry for help). Only Tory and Bertram, a retired sailor who has come to the coast to paint, make any attempt to influence their fate. Tory’s loneliness is palpable since the departure of her husband, Teddy, with a younger woman:

“That house maddens me. I shall let all the clocks run down, I think, so that I can’t hear them ticking.”

She finds herself beginning an affair with Beth’s husband, Robert – that they have previously avoided each other (“We don’t…hit it off”) perhaps speaks of some suspected attraction. Tory puts up some resistance but, as Robert says, “too late.”

Bertram, meanwhile, ingratiates himself with most of the other characters, even going as far as to spend time with Mrs Bracey. For a while it seems he may take up with Lily Wilson who, like Tory, is husbandless (in her case a widow) and fears going home alone each night (though having to go through a roomful of waxwork killers might make anyone a little nervous):

“As the days went by it seemed to Lily Wilson that her very happiness was staked upon Bertram… No longer did she fear the light failing and all those wretched thoughts about the future…”

As with most characters in the novel, Lily’s dreams falter and fail in the realm of reality; unable to bear a return to her lonely existence she instead sacrifices her reputation, leading Bertram to comment later, “Well, I compromised myself there… If all I hear of that girl is true.”

The only character who achieves any degree of happiness is Beth, seemingly oblivious to much that is happening around her as she types her latest novel. Her writing, however, seems as much as burden as a joy:

“Even if she wished to be released from it, as she sometimes did which, she knew that she could not. The imaginary people would go on knocking at her forehead until she died.”

This may sounds rather gloomy and depressing, but that takes no account of the wit and brio with which Taylor writes. While she is rarely laugh-out-loud funny, she frequently raises a sardonic smile in a way that is similar, though not as detached, as Muriel Spark. A View of the Harbour may well be her most accomplished novel as she skilfully recounts its numerous stories, blending and contrasting with precision and rarely a word wasted. It also has my favourite ending (nothing to do with the plot) as Teddy appears in his yacht, catching sight of the town and thinking, “Nothing has changed.” This view from the harbour, in a novel where watching plays such an important role, reminds us that, whatever we’ve seen, we haven’t seen it all.

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12 Responses to “A View of the Harbour”

  1. BookerTalk Says:

    I’m in the middle of the book and concur wholeheartedly with your assessment – this is not a book with happy individuals at all.

  2. kaggsysbookishramblings Says:

    This is one of my favourite Taylors, and I can’t help wondering how much of herself she put into Beth!

  3. Jonathan Says:

    The bleakness just makes it more appealing to me. This may well be my next Taylor book.

  4. TJ @ MyBookStrings Says:

    I didn’t have time to read the book for this week’s event, but I am looking forward to it. It might sound a bit gloomy, but I find your review very enticing.

  5. JacquiWine Says:

    You had me with your opening line, and that was before I got to the bit about possible comparisons with Jean Rhys! The sense of loneliness makes it all the more appealing to me too. I can’t recall if you’ve read any of Penelope Fitzgerald’s early works – I’m thinking of her stories set in small communities, novels like The Bookshop or Offshore? I guess I’m wondering if there might be some parallels between these two writers and their themes…

    • 1streading Says:

      I’ve not read any Penelope Fitzgerald but then it’s not that long since I hadn’t read Jean Rhys (even Taylor herself is a fairly recent discovery) so she may have go on the list of writers to try.

      • JacquiWine Says:

        Oops, you can delete the previous comment as it was destined for your review of the Fallada! Fitzgerald is well worth a try. Given your fondness for Taylor, I’d be surprised if you didn’t take to her. 🙂

  6. Anthony Burgess’ Ninety-Nine Novels – What’s Missing? | 1streading's Blog Says:

    […] English in 2015, which was also shortlisted for the Booker, but I have decided on the much earlier A View of the Harbour in which setting and characters seem so perfectly […]

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